Petr Nuska<p>Then, we moved to an exploration of the musical instruments with <a href="https://mastodon.world/tags/MIDI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MIDI</span></a> output.</p><p>This option seemed to be a great compromise between [relatively] clean sonic data output while keeping the fragile layers of ethnographic context [relatively] intact.</p><p>Since the RomChords project focuses primarily on harmonic accompaniments for guitar and accordion, we worked with a <a href="https://mastodon.world/tags/Roland" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Roland</span></a> FR-1x <a href="https://mastodon.world/tags/MidiAccordion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MidiAccordion</span></a> and a <a href="https://mastodon.world/tags/Jamstik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jamstik</span></a> <a href="https://mastodon.world/tags/MidiGuitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MidiGuitar</span></a>.</p><p><a href="https://mastodon.world/tags/RomaniChords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RomaniChords</span></a></p><p>🧵8/20</p>